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VOODOO
A parallel reflection
Togo - 2018/2020

Approaching the spiritual dimension of a community is difficult. It means entering something intimate, reserved for those who live and experience belief as part of everyday life.

Animism is only a word, an attempt to contain a wide range of spiritual realities, rituals, traditions, and ways of living. In Togo, these beliefs are not confined to ceremonies or sacred spaces, but are woven into ordinary gestures and daily habits, covered by an immaterial presence that seems to permeate everything.

Contrary to common assumptions, the persistence of traditional beliefs in Togo is not the result of extreme poverty or the absence of modern structures. Despite centuries of European colonial influence and the spread of Christianity and Islam, more than half of the population continues to find spiritual meaning in ancient African religions.

During my journeys in Togo, my approach was driven by curiosity rather than explanation. What I encountered was not a hidden or secret form of magic, but something openly present in daily life. A quiet, constant force embedded in simple actions, often unnoticed.

I began to think of it as a form of African magical realism, where everyday reality and the spiritual world coexist naturally, without clear boundaries. Through these encounters, my sense of distance slowly dissolved, replaced by respect, restraint, and a growing awareness of how deeply spirituality shapes life here.

Approaching the spiritual dimension of a community is never simple. It requires looking inward, toward something intimate and deeply personal, shared only by those who live that belief daily. As an outsider, this demands patience, observation, and restraint.

Animism is a convenient term, but an imprecise one. It attempts to define an immense variety of spiritual realities, rituals, traditions, and ways of living. In Togo, these beliefs are not confined to formal ceremonies or sacred spaces. They manifest in ordinary gestures, daily routines, and small habits, wrapped in an immaterial presence that quietly permeates everyday life.

This persistence of traditional beliefs is often misunderstood. In Togo, it is not primarily the result of poverty or the absence of a welfare system. Despite strong European colonial influence—first German, then French—and the spread of Christianity and Islam, traditional African religions remain deeply rooted. Today, more than half of the population continues to find spiritual answers within these ancestral belief systems.

My approach to this complex reality was guided by genuine curiosity. Over two journeys to Togo, which led me to encounter the Vodun—literally “the sign of the deep,” widely known as Voodoo—I was struck by how different the lived reality was from Western imagination. Voodoo is often associated with secrecy or dark rituals, yet what I encountered was something visible, integrated, and openly present.

In Western culture, the word “voodoo” immediately evokes black magic. But by slowing down and observing daily life, it became clear that the spiritual dimension was not hidden. It existed in plain sight, embedded in simple gestures, whether conscious or not. I began to think of this as a form of African magical realism, recalling the shifting atmospheres found in the writings of Gabriel García Márquez, where the ordinary and the supernatural coexist seamlessly.

Moments of quiet intensity repeated themselves throughout my stay, gradually drawing me in while deepening my respect for this ancestral spiritual world. One day, while walking through the forest toward a waterfall sacred to Ayda-Weddo, the deity of fertility and fresh water, a ten-year-old boy joined us without saying a word. Upon reaching the pool at the base of the waterfall, he stepped into the water, stood still in an ascetic posture for a few seconds, and then left, descending the forest path without speaking.

It was one of the most powerful moments of my African journeys.

On another occasion, I wandered alone through the streets of Atakpamé during celebrations honoring the igname, a tuber central to Togolese culture. Its symbolic significance lies in its nine-month maturation underground, mirroring human gestation. In a narrow alley, I encountered a spirit mask dancing alone to the distant rhythm of drums. There was no audience but me. When I walked away, the dance continued, as if my presence had barely been noticed.

Experiences like these occurred repeatedly, each time producing a strong sense of displacement. This place does not impose itself abruptly; it enters slowly, through the skin. Landscapes and people form a deep connection, rooting themselves in consciousness and subtly transforming it, often in ways that persist long after leaving.

Voodoo chant

Original record taken in a sacred forest. The distant chant was from a ceremony where the acces was forbidden.

ANDREA CALANDRA

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